Gear & Tech
Dolby Atmos is a fully-immersive 3D acoustic experience. Morrisound’s 7.1.4 system is calibrated to the incredibly exacting Dolby standards and allows you to hear your music with shocking dimensional accuracy.
Dolby Atmos
Whether you’re making a new album or modernizing your previous stereo recordings, Morrisound’s unique approach to Atmos mixing will transport your music to a whole new realm.
Your fans are consuming Atmos across numerous streaming platforms on their phones, headphones, laptops, soundbars, home theaters, and cinemas. Contact us today to mix your music in Dolby Atmos.
Ready for Atmos?
Dolby Atmos FAQ
If you have the original multitrack sessions/recordings then yes! We can remix your material in this exciting new surround format. If you don’t have the original sessions or only have a stereo file, we may be able to enhance your recording but we will be limited in available options. We can also work from stems if you have those.
If you have any questions about whether you have the necessary files to get your music mixed in Atmos please reach out via this contact form.
Typically not. Morrisound’s recording practices encompass the numerous possibilities and formats that exist for your music’s final product. However, you may want to put some thought into your musical arrangement. Since Atmos allows for sound all around you and overhead, the possibilities are endless for extra melodies, instrument movement, and fully immersive effects!
If you have any questions or concerns about your project, contact your engineer before your session and they’ll work with you on a plan before recording.
Numerous streaming services are now providing Atmos mixes to Atmos-enabled hardware such as headphones, soundbars, and receivers. First, verify that your music streaming provider offers music delivery in the Dolby Atmos format. Next, check your music listening hardware for Dolby Atmos support. Then follow their respective instructions for streaming Dolby Atmos mixes to your listening device of choice.
Absolutely! Dolby Atmos is constantly increasing in popularity and availability. Most streaming platforms of music, television, and movies now support the Dolby Atmos format and new hardware support is added every day. The incredible technology behind Atmos allows immersive playback on as few as 2 speakers or over 200. Music platforms want your music in Atmos, people want to listen to your music in Atmos, we think it’s best to give them what they want!
We think it’s a great idea! Not only can you reimagine your music like never before, but it’s a great way to breathe new life into previous material. Show your fans a different side of the music they love and put them in the front row to your creative journey.
Studio
Solid State Logic Duality 48 Channel
Genelec 8050B (7) with 7070A Subwoofer (2)
Genelec 8020D (4) for Dolby Atmos Height
Tannoy Reveal Active
16 Channel Individual Headphone Mixers (9)
Headphones by Shure and Audio Technica
Avid ProTools Ultimate HDX
Avid HD I/O (4) with 64 Analog I/O
Avid HD Sync SMPTE Synchronizer
Universal Audio Octo DSP
Dynamics
dbx 165 (2)
Universal Audio LA-2A
Universal Audio LA-4 (2)
Empirical Labs EL8-X Distressor (4)
GML 2300 Dynamic Range Controller
Solid State Logic FX G384 Stereo Compressor
Chandler TG-1 Stereo EMI Limiter/Compressor
SPL Transient Designer 4 – 4 Channel Dynamic Effect Processor
Universal Audio 1176
dbx 162
TC Electronics MASTERING 6000
STAM SA4000-5 Stereo Buss Compressor
EQ
GML 9500 Stereo
Sontec MES 432 Stereo
TC Electronics MASTERING 6000
Reverbs
Bricasti M7
Lexicon 960L
Lexicon PCM 96
Waves Gold Bundle
UAD Octo-Card and plugins
Soundtoys 5
Fab Filter
Izotope
Melodyne
Slate Digital
Steven Slate Drums Trigger 2
Solid State Logic
Plugin Alliance Mix/Master Bundle
Lexicon Reverbs
LiquidSonics
Solid State Logic Superanalogue Mic Pres (Duality 48)
Vintech 1081 Mic Pre with EQ (4)
Vintech 1073 Mic Pre (4)
Focurite ISA 828 – 8 Channel Mic Pre
UA 710 – 4 Channel Mic Pre (2)
True Systems Precision 8 – 8 Channel Mic Pre
STAM 312-5T Tube Mic Pre (2)
Condenser
Neumann U 47
Bill Bradley modified U 47 (MS47)
Neumann U 87 (2)
Neumann KM 64 (Tube KM 84) (2)
Neumann CMV 563
DPA 4011 (2)
AKG 414 XLS (2)
Mojave MA-300 (2)
Audio Technica AT4060
Audio Technica AT4050
Audio Technica AE2500 (Dual Element Capsule) (2)
Audio Technica AE3000 (2)
Audio Technica AT4047 (2)
Audio Technica ATM450 (2)
Ribbon
Royer 122 (2)
Cascade Fat Head (2)
Audio Technica AT4080
Audio Technica AT4081 (2)
RCA 44dx
Dynamic
Electro-Voice RE20 (2)
Sennheiser MD421 II (6)
Shure SM57 (4)
Ampeg SVT Classic
Engl Powerball
Mesa Boogie Dual Rectifier Trem-O-Verb
Marshall JCM 800
Marshall Artist 3203
Marshall JCM2000 TSL100
Vox AC30
Fender Super Reverb
Fender Princeton
Supro (212)
Seymour Duncan Convertible 50 watt
1950’s Gibson Les Paul Amp
Lab L-5
Positive Grid Bias Amp 2 – Hardware Amp Simulation
Ampeg 8×10
Marshall 4×12 – Slant Front with 25 Watt Greenbacks
Marshall 4×12 1960 (2)
Leslie 122 with Guitar Preamp
Hammond C-3
Yamaha Motif XF
Yamaha CP-33
Roland Sound Cloud
Studio Staff
Tom Morris
Founder | President
Jim Morris
Founder | Chief Engineer
Taylor Ramone
Studio Manager
BJ Ramone
Engineer
Jon Tucker
Engineer
Want to Learn More?
We’d love to hear from you! Contact us now to book your next session.